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DTSTART;TZID=America/Detroit:20251016T193000
DTEND;TZID=America/Detroit:20251016T213000
DTSTAMP:20261005T143521Z
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SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-10-16/
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DTSTAMP:20251015T163304Z
CREATED:20250829T134246Z
LAST-MODIFIED:20251015T163304Z
UID:10008328-1760643000-1760650200@cliffbells.com
SUMMARY:the U of M Big Band under the direction of Dennis Wilson featuring Kasan Belgrave and Ron Kischuck
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nJoin us as the U-M Jazz Ensemble and Jazz Trombone Ensemble perform at Cliff Bell’s in Detroit\, featuring multi-woodwind-instrumentalist and Detroit native Kasan Belgrave. The Jazz Trombone Ensemble is joined by featured trombonist Ron Kischuck. \nIn preparation for the arrival of the Count Basie Orchestra to the U-M campus\, the Jazz Ensemble will premiere work composed by Professor Dennis Wilson for both ensembles. This event is presented in collaboration with the Department of Jazz & Contemporary Improvisation at the University of Michigan School of Music\, Theatre & Dance. \nDennis Wilson joined the Michigan faculty after teaching at Kansas State University where he also served as an assistant dean for the College of Arts and Sciences. He has a significant association with the legendary Count Basie and his Orchestra that began in 1977 as trombonist and arranger. He continues to serve as musical production manager and educational director with the Basie Band. \nWilson is the lead trombonist for the Carnegie Hall Jazz Orchestra and has toured\, performed\, and recorded with the Dizzy Gillespie Big Band\, the Lionel Hampton Orchestra\, the New Tommy Dorsey Orchestra\, the American Jazz Orchestra\, the Benny Carter Orchestra\, and Slide Hampton’s World of Trombones. He received a GRAMMY Award nomination for vocal arrangements for Manhattan Transfer and has performed on GRAMMY Award-winning recordings with Ella Fitzgerald\, Count Basie\, and Diane Schurr. \nIn 2001\, Mr. Wilson was named Artist in Residence for the San Jose Jazz Society and serves as musical director for the new San Jose Jazz Society Big Band. He often presents at the conferences of the International Association for Jazz Education and is a current member of the IAJE Resource Team and Conference Selection Committee.
URL:https://cliffbells.com/event/the-u-of-m-big-band-under-the-direction-of-dennis-wilson-featuring-kasan-belgrave/
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