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DTSTART;TZID=America/Detroit:20260118T173000
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SUMMARY:Allen Dennard
DESCRIPTION:Showtimes are at 5:30p & 7:30p for this performance. Doors open at 4:30pm for dinner. Seating begins at 5pm for “Dinner & a Show”. The second show starts seating at 7pm.\nTrumpeter Allen Dennard has one foot firmly planted in the classic jazz canon. The 2016 graduate of the University of Michigan’s School of Music\, Theatre & Dance leads his own rotating jazz ensemble while also regularly playing with the likes of Detroit legends Marion Hayden\, Wendell Harrison\, and David McMurray. This April saw his first release Stepping In\, which evokes the sounds of Miles Davis’ classic quintet. \nThat said\, he’s not just a strict jazz classicist. His other foot is firmly planted in the melting pot that is the Detroit music scene. Dennard also sits in and records with acts ranging from hip-hop (Kulture) to rock ‘n’ roll (the MC5’s “MC50” 50th anniversary tour)\, blues (Robert Bradley)\, soul (Ray J)\, and gospel (J. Drew Sheard II). \nDennard comes from a musical family: His aunt Elreta Dodds played bass clarinet with the ’70s avant-garde jazz ensemble Griot Galaxy. His father sings\, his mother used to play the trumpet and piano\, and his older sister played clarinet. But Dennard says he got his start on trumpet on accident. “In 5th grade I wanted to play trombone\, but my school didn’t have enough\,” he says. “I thought that trumpet was the next best thing. From then on I just never put it down.” \nIt also helps that Detroit has an amazing legacy of mentorship within the jazz community. Dennard praises his first teacher\, jazz flutist Deblon Jackson\, for starting him off with ear training before diving into music theory. He also praises trumpeters John Douglas\, Dwight Adams\, and Rayce Biggs for helping him learn his instrument. \nBut Dennard’s biggest mentor was none other than Marcus Belgrave\, the jazz icon who died in 2015. Dennard says that connection was forged thanks to his aunt\, who was best friends with the pianist Geri Allen\, who set up Dennard’s first lesson with Marcus when he was in high school. \nIt wound up being a crucial connection. “At U of M he saved my career\,” Dennard says. When Dennard was first given his trumpet\, there was no one to teach him the correct way to play\, so he found his own way to do it. But by the time he got to college\, he found out that his embouchure\, or how the mouth is applied to the mouthpiece\, was no longer working for him.\n“That way got me really far — it got me a scholarship to U of M\,” Dennard says. “But in college my notes started cracking and I couldn’t hold a note.” Dennard compares it to being “as bad as breaking your leg if you just got there on a basketball scholarship.” He almost quit.\nAt a U-M master class\, Marcus could tell Denard was struggling\, and took him aside for private home lessons for more than a year. “He kind of sensei-ed me through\,” Dennard says. \nNow\, Dennard says he’s inspired by artists like Houston singer\, pianist\, and producer Robert Glasper. “For me personally\, Robert Glasper created this new wave of jazz that’s similar to ’70s jazz fusion\,” Dennard says. “Hip-hop evolved into other things\, and he put that in his music and created a whole new wave of other artists doing it. It’s common around Detroit.”\nDennard says he just calls it “modern music.” “I love it\,” he says. “I think it’s good for the evolution of music. Everything’s always changing — politics\, life\, all that. Music should too.” \nby Doug Coombe January 02\, 2019 Detroit Metro Times \nhttps://m.metrotimes.com/detroit/allen-dennard-takes-jazz-into-the-future/Content?oid=19038380
URL:https://cliffbells.com/event/allen-dennard-3/
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DTSTART;TZID=America/Detroit:20260118T193000
DTEND;TZID=America/Detroit:20260118T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
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SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2026-01-18/
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