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DTSTART;TZID=America/Detroit:20251205T193000
DTEND;TZID=America/Detroit:20251205T213000
DTSTAMP:20251113T214759Z
CREATED:20250930T154206Z
LAST-MODIFIED:20251113T214759Z
UID:10008471-1764963000-1764970200@cliffbells.com
SUMMARY:Marcus Elliot Broken Seeds Vol. II
DESCRIPTION:Showtimes are at 7:30p & 9:30p for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nMarcus Elliot (Marcus Elliot Miller) is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.  \nElliot is a disciple of the Detroit music scene. His mentors include Rodney Whitaker\, Marcus Belgrave\, Robert Hurst\, Donald Walden\, Bennie Maupin\, Marion Hayden\, and Karriem Riggins. After graduating with a bachelors degree in Jazz Studies from Michigan State University\, Marcus began to curate weekly performances in Detroit\, showcasing some of Detroit’s young jazz musicians. Marcus self-released three albums with his ensemble\, the Marcus Elliot Quartet and co-released an album with his duo project with Michael Malis\, Balance. \n As a Sideman\, Marcus has performed with  Bob Hurst\, Karriem Riggins\, James Carter\, Jimmy Cobb\, Marcus Belgrave\, Johnny O’Neal\, Jimmy Heath\, Shigeto\, Thaddeus Dixon\, Ettiene Charles\, Mulgrew Miller\, Rodney Whitaker\, Talib Kweli\, and many others.  \nMarcus was a co-founder of Polyfold; a collective of musical artists who have joined together to develop\, and present creative works. Founded in Detroit\, Polyfold produces concerts and recordings\, hosts outreach events and educational workshops\, and fosters creative community in Detroit and beyond. \nMarcus has received his Masters of Music degree at the University of Michigan\, where he was awarded a graduate assistantship. He is active in the Detroit music community\, collaborating with musicians in jazz\, free-improvised music\, techno\, hip-hop\, r&b\, and classical music. \n\,
URL:https://cliffbells.com/event/marcus-elliot-broken-seeds-vol-ii/2025-12-05/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2023/06/A-4420588-1479861095-4186-jg1aMe.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251206T193000
DTEND;TZID=America/Detroit:20251206T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009746-1765049400-1765056600@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-06/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251206T193000
DTEND;TZID=America/Detroit:20251206T213000
DTSTAMP:20251113T214759Z
CREATED:20250930T154206Z
LAST-MODIFIED:20251113T214759Z
UID:10008472-1765049400-1765056600@cliffbells.com
SUMMARY:Marcus Elliot Broken Seeds Vol. II
DESCRIPTION:Showtimes are at 7:30p & 9:30p for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nMarcus Elliot (Marcus Elliot Miller) is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.  \nElliot is a disciple of the Detroit music scene. His mentors include Rodney Whitaker\, Marcus Belgrave\, Robert Hurst\, Donald Walden\, Bennie Maupin\, Marion Hayden\, and Karriem Riggins. After graduating with a bachelors degree in Jazz Studies from Michigan State University\, Marcus began to curate weekly performances in Detroit\, showcasing some of Detroit’s young jazz musicians. Marcus self-released three albums with his ensemble\, the Marcus Elliot Quartet and co-released an album with his duo project with Michael Malis\, Balance. \n As a Sideman\, Marcus has performed with  Bob Hurst\, Karriem Riggins\, James Carter\, Jimmy Cobb\, Marcus Belgrave\, Johnny O’Neal\, Jimmy Heath\, Shigeto\, Thaddeus Dixon\, Ettiene Charles\, Mulgrew Miller\, Rodney Whitaker\, Talib Kweli\, and many others.  \nMarcus was a co-founder of Polyfold; a collective of musical artists who have joined together to develop\, and present creative works. Founded in Detroit\, Polyfold produces concerts and recordings\, hosts outreach events and educational workshops\, and fosters creative community in Detroit and beyond. \nMarcus has received his Masters of Music degree at the University of Michigan\, where he was awarded a graduate assistantship. He is active in the Detroit music community\, collaborating with musicians in jazz\, free-improvised music\, techno\, hip-hop\, r&b\, and classical music. \n\,
URL:https://cliffbells.com/event/marcus-elliot-broken-seeds-vol-ii/2025-12-06/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2023/06/A-4420588-1479861095-4186-jg1aMe.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251207T173000
DTEND;TZID=America/Detroit:20251207T193000
DTSTAMP:20250930T154225Z
CREATED:20250930T154225Z
LAST-MODIFIED:20250930T154225Z
UID:10008470-1765128600-1765135800@cliffbells.com
SUMMARY:Marcus Elliot Broken Seeds Vol. II
DESCRIPTION:Showtimes are at 5:30p & 7:30p for this performance. Doors open at 4pm for dinner. Seating begins at 5pm for “Dinner & a Show”. The second show starts seating at 7pm.\nMarcus Elliot (Marcus Elliot Miller) is a saxophonist\, composer\, improviser\, and educator based in Detroit\, Michigan. Marcus is a 2020 Kresge Artist Fellow\, awarded by Kresge Arts in Detroit. His compositions and improvisations have been described by the New York Times as “convincing and confident\, evolved in touch and tone…”\, and the Detroit Free Press has said\, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet\, Clockwork\, Balance\, Beyond Rebellious\, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.  \nElliot is a disciple of the Detroit music scene. His mentors include Rodney Whitaker\, Marcus Belgrave\, Robert Hurst\, Donald Walden\, Bennie Maupin\, Marion Hayden\, and Karriem Riggins. After graduating with a bachelors degree in Jazz Studies from Michigan State University\, Marcus began to curate weekly performances in Detroit\, showcasing some of Detroit’s young jazz musicians. Marcus self-released three albums with his ensemble\, the Marcus Elliot Quartet and co-released an album with his duo project with Michael Malis\, Balance. \n As a Sideman\, Marcus has performed with  Bob Hurst\, Karriem Riggins\, James Carter\, Jimmy Cobb\, Marcus Belgrave\, Johnny O’Neal\, Jimmy Heath\, Shigeto\, Thaddeus Dixon\, Ettiene Charles\, Mulgrew Miller\, Rodney Whitaker\, Talib Kweli\, and many others.  \nMarcus was a co-founder of Polyfold; a collective of musical artists who have joined together to develop\, and present creative works. Founded in Detroit\, Polyfold produces concerts and recordings\, hosts outreach events and educational workshops\, and fosters creative community in Detroit and beyond. \nMarcus has received his Masters of Music degree at the University of Michigan\, where he was awarded a graduate assistantship. He is active in the Detroit music community\, collaborating with musicians in jazz\, free-improvised music\, techno\, hip-hop\, r&b\, and classical music. \n\,
URL:https://cliffbells.com/event/marcus-elliot-broken-seeds-vol-ii-2/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2023/06/A-4420588-1479861095-4186-jg1aMe.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251207T193000
DTEND;TZID=America/Detroit:20251207T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009747-1765135800-1765143000@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-07/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251208T193000
DTEND;TZID=America/Detroit:20251208T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009748-1765222200-1765229400@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-08/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251209T193000
DTEND;TZID=America/Detroit:20251209T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009749-1765308600-1765315800@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-09/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251210T180000
DTEND;TZID=America/Detroit:20251210T180000
DTSTAMP:20251024T154208Z
CREATED:20251024T153919Z
LAST-MODIFIED:20251024T154208Z
UID:10008482-1765389600-1765389600@cliffbells.com
SUMMARY:U of D - Just Jazz!
DESCRIPTION:There will be one performance at 8:00pm and Dinner will be available until 9pm. Our doors will be open at 5pm.
URL:https://cliffbells.com/event/u-of-d-just-jazz-2/
ATTACH;FMTTYPE=image/png:https://cliffbells.com/wp-content/uploads/2024/11/UofD-Basic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251210T193000
DTEND;TZID=America/Detroit:20251210T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009750-1765395000-1765402200@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-10/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251211T193000
DTEND;TZID=America/Detroit:20251211T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009751-1765481400-1765488600@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-11/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251211T193000
DTEND;TZID=America/Detroit:20251211T213000
DTSTAMP:20251203T185734Z
CREATED:20250930T155805Z
LAST-MODIFIED:20251203T185734Z
UID:10008473-1765481400-1765488600@cliffbells.com
SUMMARY:Soulful Holidays with the Sean Dobbins Organ Trio +
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith \n\nAthena Johnson\, vocals\nClif Metcalf\, Hammond B3\nIan Blunden\, Guitar\n\nJazz drummer Sean Dobbins got his start as sought-after Detroit area jazz sideman at a young age\, when he would regularly play with Blue Note artist Louis Smith. As Sean’s Career progressed\, he found himself the recipient of many awards and accolades including the “Woody Herman Jazz Award”\, an award for outstanding musicianship\, as well as the Louis Armstrong Scholarship. Due to Sean’s great talent both as a player and an educator\, he has been the focus of countless news articles and jazz radio programs. \nThough still young by jazz standards\, Dobbins has amassed an impressive list of playing companions. He has performed/toured/recorded with Johnny Basset\, Benny Golson\, Dr. Lonnie Smith\, Frank Morgan\, Joey DeFrancesco\, George Cables\, James “Blood” Ulmer\, Marcus Belgrave\, Larry Willis\, Rodney Whittaker\, Claude Black\, Johnny O’Neal\, Paul Keller\, Tad Weed\, Kurt Krahnke\, Jon Hendricks\, David “Fathead” Newman\, Donald Walden\, Cyrus Chesnut\, Barry Harris\, David Baker\, Randy Johnston\, Marion Hayden\, Mose Allison\, and a host of other great musicians. \nSean’s sound can best be described as hard-driving\, solid rhythm with refreshing melodic sensibility. Some of Sean’s influences include Art Blakey\, Jeff Hamilton\, Jeff “Tain” Watts\, Ed Thigpen\, Sonny Payne\, and also Detroit area greats Gerald Cleaver and the one and only Elvin Jones. A product of the Ann Arbor Public Schools\, Sean has stayed devoted to education throughout his life. Early mentor Louis Smith\, an Ann Arbor Public Schools band teacher\, impressed the importance of a good education upon Sean at an early age. Sean is known in his community as a band director\, drum teacher and positive influence for many.
URL:https://cliffbells.com/event/sean-dobbins-organ-trio/2025-12-11/
ATTACH;FMTTYPE=image/png:https://cliffbells.com/wp-content/uploads/2025/09/IMG_3160.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251212T193000
DTEND;TZID=America/Detroit:20251212T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009752-1765567800-1765575000@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-12/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251212T193000
DTEND;TZID=America/Detroit:20251212T213000
DTSTAMP:20251203T185734Z
CREATED:20250930T155805Z
LAST-MODIFIED:20251203T185734Z
UID:10008475-1765567800-1765575000@cliffbells.com
SUMMARY:Soulful Holidays with the Sean Dobbins Organ Trio +
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith \n\nAthena Johnson\, vocals\nClif Metcalf\, Hammond B3\nIan Blunden\, Guitar\n\nJazz drummer Sean Dobbins got his start as sought-after Detroit area jazz sideman at a young age\, when he would regularly play with Blue Note artist Louis Smith. As Sean’s Career progressed\, he found himself the recipient of many awards and accolades including the “Woody Herman Jazz Award”\, an award for outstanding musicianship\, as well as the Louis Armstrong Scholarship. Due to Sean’s great talent both as a player and an educator\, he has been the focus of countless news articles and jazz radio programs. \nThough still young by jazz standards\, Dobbins has amassed an impressive list of playing companions. He has performed/toured/recorded with Johnny Basset\, Benny Golson\, Dr. Lonnie Smith\, Frank Morgan\, Joey DeFrancesco\, George Cables\, James “Blood” Ulmer\, Marcus Belgrave\, Larry Willis\, Rodney Whittaker\, Claude Black\, Johnny O’Neal\, Paul Keller\, Tad Weed\, Kurt Krahnke\, Jon Hendricks\, David “Fathead” Newman\, Donald Walden\, Cyrus Chesnut\, Barry Harris\, David Baker\, Randy Johnston\, Marion Hayden\, Mose Allison\, and a host of other great musicians. \nSean’s sound can best be described as hard-driving\, solid rhythm with refreshing melodic sensibility. Some of Sean’s influences include Art Blakey\, Jeff Hamilton\, Jeff “Tain” Watts\, Ed Thigpen\, Sonny Payne\, and also Detroit area greats Gerald Cleaver and the one and only Elvin Jones. A product of the Ann Arbor Public Schools\, Sean has stayed devoted to education throughout his life. Early mentor Louis Smith\, an Ann Arbor Public Schools band teacher\, impressed the importance of a good education upon Sean at an early age. Sean is known in his community as a band director\, drum teacher and positive influence for many.
URL:https://cliffbells.com/event/sean-dobbins-organ-trio/2025-12-12/
ATTACH;FMTTYPE=image/png:https://cliffbells.com/wp-content/uploads/2025/09/IMG_3160.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251213T193000
DTEND;TZID=America/Detroit:20251213T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009753-1765654200-1765661400@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-13/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251213T193000
DTEND;TZID=America/Detroit:20251213T213000
DTSTAMP:20251203T185734Z
CREATED:20250930T155805Z
LAST-MODIFIED:20251203T185734Z
UID:10008476-1765654200-1765661400@cliffbells.com
SUMMARY:Soulful Holidays with the Sean Dobbins Organ Trio +
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith \n\nAthena Johnson\, vocals\nClif Metcalf\, Hammond B3\nIan Blunden\, Guitar\n\nJazz drummer Sean Dobbins got his start as sought-after Detroit area jazz sideman at a young age\, when he would regularly play with Blue Note artist Louis Smith. As Sean’s Career progressed\, he found himself the recipient of many awards and accolades including the “Woody Herman Jazz Award”\, an award for outstanding musicianship\, as well as the Louis Armstrong Scholarship. Due to Sean’s great talent both as a player and an educator\, he has been the focus of countless news articles and jazz radio programs. \nThough still young by jazz standards\, Dobbins has amassed an impressive list of playing companions. He has performed/toured/recorded with Johnny Basset\, Benny Golson\, Dr. Lonnie Smith\, Frank Morgan\, Joey DeFrancesco\, George Cables\, James “Blood” Ulmer\, Marcus Belgrave\, Larry Willis\, Rodney Whittaker\, Claude Black\, Johnny O’Neal\, Paul Keller\, Tad Weed\, Kurt Krahnke\, Jon Hendricks\, David “Fathead” Newman\, Donald Walden\, Cyrus Chesnut\, Barry Harris\, David Baker\, Randy Johnston\, Marion Hayden\, Mose Allison\, and a host of other great musicians. \nSean’s sound can best be described as hard-driving\, solid rhythm with refreshing melodic sensibility. Some of Sean’s influences include Art Blakey\, Jeff Hamilton\, Jeff “Tain” Watts\, Ed Thigpen\, Sonny Payne\, and also Detroit area greats Gerald Cleaver and the one and only Elvin Jones. A product of the Ann Arbor Public Schools\, Sean has stayed devoted to education throughout his life. Early mentor Louis Smith\, an Ann Arbor Public Schools band teacher\, impressed the importance of a good education upon Sean at an early age. Sean is known in his community as a band director\, drum teacher and positive influence for many.
URL:https://cliffbells.com/event/sean-dobbins-organ-trio/2025-12-13/
ATTACH;FMTTYPE=image/png:https://cliffbells.com/wp-content/uploads/2025/09/IMG_3160.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251214T173000
DTEND;TZID=America/Detroit:20251214T193000
DTSTAMP:20251204T162206Z
CREATED:20251030T140238Z
LAST-MODIFIED:20251204T162206Z
UID:10008485-1765733400-1765740600@cliffbells.com
SUMMARY:Duke Ellington's Nutcracker Suite
DESCRIPTION:SORRY BUT THIS EVENT IS SOLD OUT\, LOOK FOR ITS RETURN IN 2026\nShowtimes are at 5:30p & 7:30p for this performance. Doors open at 4pm for dinner. Seating begins at 5pm for “Dinner & a Show”. The second show starts seating at 7pm.\nCliff Bells Jazz Orchestra presents the full performance of Duke Ellington’s Nutcracker Suite ! The Orchestra is being directed by Josh James and features a 18 member big band orchestra of our favorite Detroit jazz musicians. Come celebrate the holiday season with us for this rare performance of Duke’s classic arrangement and reconstruction of the Pyotr Tchaikovsky masterpiece! 
URL:https://cliffbells.com/event/duke-ellingtons-nutcracker-suite/
ATTACH;FMTTYPE=image/png:https://cliffbells.com/wp-content/uploads/2025/10/sold-out_vnutcracker.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251214T193000
DTEND;TZID=America/Detroit:20251214T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009754-1765740600-1765747800@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-14/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251215T193000
DTEND;TZID=America/Detroit:20251215T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009755-1765827000-1765834200@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-15/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251216T193000
DTEND;TZID=America/Detroit:20251216T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009756-1765913400-1765920600@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-16/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251217T193000
DTEND;TZID=America/Detroit:20251217T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009757-1765999800-1766007000@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-17/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251217T193000
DTEND;TZID=America/Detroit:20251217T213000
DTSTAMP:20251024T154828Z
CREATED:20251024T154828Z
LAST-MODIFIED:20251024T154828Z
UID:10008483-1765999800-1766007000@cliffbells.com
SUMMARY:Jauron Perry and Session
DESCRIPTION:Showtimes are at 7:30p & 9:30p for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nJauron Perry is an upcoming Detroit trumpeter\, composer\, bandleader\, and educator in jazz studies at Michigan State University. Recognized with the Next Generation of Talent award\, Jauron has gained extensive experience working with Detroit jazz masters like Rodney Whitaker\, Regina Carter\, Wendell Harrison\, as well as sensations such as Jazzmeia Horn\, Marquis Hill\, and Wynton Marsalis\, and performing as a current Geri Allen Gathering Orchestra Fellow. He has been featured in prominent events such as the Detroit Jazz Festival and the Jazz at Lincoln Center’s Jack Rudin Jazz Championship. Jauron recently won the 2024 Michigan Jazz Festival Rising Horn Competition\, and also toured Japan at just 19 years old. He is now a recorded artist with the new collective group Quintessential from Detroit\, MI\, on their debut album “Here We Are” and with his own band\, the Jauron Perry Quintet that won the 2024 Detroit Jazz Festival Combo Competition. The quintet performed their debut set at the 2024 Detroit Jazz Festival\, creating Jauron’s debut album as a bandleader.
URL:https://cliffbells.com/event/jauron-perry-and-session-2/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2025/05/Jauron-Perry-on-DJF-Main-Stage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251218T193000
DTEND;TZID=America/Detroit:20251218T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009758-1766086200-1766093400@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-18/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251218T193000
DTEND;TZID=America/Detroit:20251218T213000
DTSTAMP:20251116T163734Z
CREATED:20251030T150249Z
LAST-MODIFIED:20251116T163734Z
UID:10008493-1766086200-1766093400@cliffbells.com
SUMMARY:Olivia Van Goor's Waiting for Santa
DESCRIPTION:SHOWTIMES ARE AT 7:30PM & 9:30PM FOR THIS PERFORMANCE. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\n \nDetroit jazz vocalist Olivia Van Goor has a new holiday jazz record called “Waiting For Santa”. A collection of originals and lesser-known classics\, the album is unlike any other in your collection. As Detroit bassist and educator Jeff Pedraz wrote in the liner notes\, “…together\, this ensemble creates a recording that isn’t overproduced\, but instead reflects the essence of childhood-innocent\, simple\, sweet and full of joy and playfulness.” Olivia is touring the album in Michigan in surrounding states\, with Cliff Bell’s as the premier Detroit location. Additionally\, December 18th at Cliff Bell’s is the only show in Detroit to hear the whole record top to bottom with the same rhythm section: Mike Harrison on piano\, Reuben Stump on bass\, and Dave Zwolinski on drums. “Waiting For Santa” is available everywhere you listen to music\, with CD\, Vinyl\, and merch available at the show.\nwww.oliviavangoor.com\nwww.instagram.com/oliviavangoormusic
URL:https://cliffbells.com/event/olivia-van-goor-2/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2025/10/Waiting-for-Santa-Album-Cover-3000x3000-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251219T193000
DTEND;TZID=America/Detroit:20251219T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009759-1766172600-1766179800@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-19/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251219T193000
DTEND;TZID=America/Detroit:20251219T213000
DTSTAMP:20251208T212025Z
CREATED:20251030T143140Z
LAST-MODIFIED:20251208T212025Z
UID:10008488-1766172600-1766179800@cliffbells.com
SUMMARY:James Carter Organ Trio Presents:  Yule Log of Soul & Swing
DESCRIPTION:Showtimes are at 7:30p & 9:30p for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\n\n\n\nProgram to include the music of Django Reinhardt\, lots of your favorite standards\, and lots of your favorite Christmas tunes. An effusive\, dynamically gifted jazz saxophonist\, James Carter caused a critical uproar when he appeared on the New York jazz scene\, having moved from his native Detroit in the early ’90s. Carter’s debut recording\, JC on the Set\, issued in Japan when he was only 23 and in the States a year later in 1993\, was universally acclaimed as the finest debut by a saxophonist in decades. He has continued to build upon these early accolades\, exploring the music of Django Reinhardt on 2000’s Chasin’ the Gypsy\, displaying his classical skills on 2011’s Caribbean Rhapsody\, and working with his soulful organ trio on 2019’s Live from Newport Jazz. \n  Born in 1969 in Detroit\, Carter began playing at age 11 and studied early on with trumpeter Marcus Belgrave. A prodigy\, he progressed quickly and by 1986 at age 17 joined Wynton Marsalis on tour. Two years later\, he became a member of Lester Bowie’s Brass Fantasy upon relocating to New York. Carter issued no less than six recordings under his own name between 1993 and 2000\, all of them with different focuses\, from a set of standards\, Conversin’ with the Elders in 1995\, to an electric funk record\, Layin’ in the Cut\, to a simultaneously released set in tribute to Django Reinhardt\, Chasin the Gypsy. Three years later\, he honored the legendary Billie Holiday with Gardenias for Lady Day. \n  Moving from Columbia to Warner Bros.\, Carter’s Live at Baker’s Keyboard Lounge followed in spring 2004. Another live session\, Out of Nowhere\, was released in 2005 on the independent label Half Note. There were also sessions and live dates with the Lincoln Center Jazz Orchestra\, Cyrus Chestnut\, Rodney Whitaker\, Frank Lowe\, the late Julius Hemphill\, pop-jazz singer Madeleine Peyroux\, Ronald Shannon Jackson\, Tough Young Tenors\, and the Charles Mingus Big Band. In 2008\, he released Present Tense on Universal Jazz. Carter followed that up a year later with the live album Heaven on Earth\, featuring a jazz supergroup including\, among others\, organist John Medeski and bassist Christian McBride. \n \n   In 2011\, Carter delivered Caribbean Rhapsody\, his collaboration with classical composer Roberto Sierra featuring the piece “Concerto for Saxophone and Orchestra.” Honing his craft to a jaw-dropping technical level\, Carter is the master of a family of saxophones\, flute and clarinet. His is a powerhouse virtuosity likened by composer Roberto Sierra to the great Paganini. It was in fact this astounding instrumental flexibility\, coupled with an eclectic body of recordings that inspired the Spanish maestro to write the celebrated Concerto for Saxophones and Orchestra for the 31-year-old. Written expressly for Carter and mixing Jazz\, Latin and classical elements\, the work showcases the multi-instrumentalist’s outstanding technical virtuosity whilst allowing him “the freedom to improvise.” \nThe four-movement piece sees Carter take center stage throughout\, executing swift instrument transitions between Tenor and Soprano and employing a full gamut of musical expression\, from furiously-fast Coltrane like tempo to a quiet ballad.  \nA concert album\, Live from Newport Jazz\, recorded with his organ trio at the long-running festival\, arrived in 2019\, reaching the top 10 of Billboard’s Jazz Albums chart. More eclectic projects followed\, including 2022’s D(IVO)\, the debut album from Carter’s adventurous saxophone quartet with Tim Berne\, Tony Malaby\, and Ivo Perelman. He also joined Perelman for 2022’s Reed Rapture in Brooklyn. The following year\, he showcased his outsized baritone saxophone skills on the solo recording Un (Unaccompanied Baritone Saxophone). \nEarly 2023 brought Carter to the NYC Blue Note as special guest with DJ Logic and with Galactic. His capacious ability to cross boundaries\, mesh genres\, and deliver it all with mindboggling energy\, clarity and that “special something” that brings audiences to their feet clamoring for more.  \n2023 also saw James Carter bring his Quintet to Birdland in the debut presentation of Lookin’ at Lock: The Music of Eddie “Lockjaw” Davis\, featuring Satish Robertson on trumpet\, Gerard Gibbs on piano\, Hilliard Greene on bass\, and Kahlil Kwame Bell on drums. Carter brings his Quintet to the Syracuse Jazz Festival on 29 June 2024 and returns to Birdland 13-17 August 2024.  \n  \n  \n 
URL:https://cliffbells.com/event/james-carter-organ-trio-3/2025-12-19/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2025/10/IMG_3255-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251220T193000
DTEND;TZID=America/Detroit:20251220T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009760-1766259000-1766266200@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-20/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2024/10/avedon-2-1-683x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251220T193000
DTEND;TZID=America/Detroit:20251220T213000
DTSTAMP:20251208T212025Z
CREATED:20251030T143140Z
LAST-MODIFIED:20251208T212025Z
UID:10008489-1766259000-1766266200@cliffbells.com
SUMMARY:James Carter Organ Trio Presents:  Yule Log of Soul & Swing
DESCRIPTION:Showtimes are at 7:30p & 9:30p for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\n\n\n\nProgram to include the music of Django Reinhardt\, lots of your favorite standards\, and lots of your favorite Christmas tunes. An effusive\, dynamically gifted jazz saxophonist\, James Carter caused a critical uproar when he appeared on the New York jazz scene\, having moved from his native Detroit in the early ’90s. Carter’s debut recording\, JC on the Set\, issued in Japan when he was only 23 and in the States a year later in 1993\, was universally acclaimed as the finest debut by a saxophonist in decades. He has continued to build upon these early accolades\, exploring the music of Django Reinhardt on 2000’s Chasin’ the Gypsy\, displaying his classical skills on 2011’s Caribbean Rhapsody\, and working with his soulful organ trio on 2019’s Live from Newport Jazz. \n  Born in 1969 in Detroit\, Carter began playing at age 11 and studied early on with trumpeter Marcus Belgrave. A prodigy\, he progressed quickly and by 1986 at age 17 joined Wynton Marsalis on tour. Two years later\, he became a member of Lester Bowie’s Brass Fantasy upon relocating to New York. Carter issued no less than six recordings under his own name between 1993 and 2000\, all of them with different focuses\, from a set of standards\, Conversin’ with the Elders in 1995\, to an electric funk record\, Layin’ in the Cut\, to a simultaneously released set in tribute to Django Reinhardt\, Chasin the Gypsy. Three years later\, he honored the legendary Billie Holiday with Gardenias for Lady Day. \n  Moving from Columbia to Warner Bros.\, Carter’s Live at Baker’s Keyboard Lounge followed in spring 2004. Another live session\, Out of Nowhere\, was released in 2005 on the independent label Half Note. There were also sessions and live dates with the Lincoln Center Jazz Orchestra\, Cyrus Chestnut\, Rodney Whitaker\, Frank Lowe\, the late Julius Hemphill\, pop-jazz singer Madeleine Peyroux\, Ronald Shannon Jackson\, Tough Young Tenors\, and the Charles Mingus Big Band. In 2008\, he released Present Tense on Universal Jazz. Carter followed that up a year later with the live album Heaven on Earth\, featuring a jazz supergroup including\, among others\, organist John Medeski and bassist Christian McBride. \n \n   In 2011\, Carter delivered Caribbean Rhapsody\, his collaboration with classical composer Roberto Sierra featuring the piece “Concerto for Saxophone and Orchestra.” Honing his craft to a jaw-dropping technical level\, Carter is the master of a family of saxophones\, flute and clarinet. His is a powerhouse virtuosity likened by composer Roberto Sierra to the great Paganini. It was in fact this astounding instrumental flexibility\, coupled with an eclectic body of recordings that inspired the Spanish maestro to write the celebrated Concerto for Saxophones and Orchestra for the 31-year-old. Written expressly for Carter and mixing Jazz\, Latin and classical elements\, the work showcases the multi-instrumentalist’s outstanding technical virtuosity whilst allowing him “the freedom to improvise.” \nThe four-movement piece sees Carter take center stage throughout\, executing swift instrument transitions between Tenor and Soprano and employing a full gamut of musical expression\, from furiously-fast Coltrane like tempo to a quiet ballad.  \nA concert album\, Live from Newport Jazz\, recorded with his organ trio at the long-running festival\, arrived in 2019\, reaching the top 10 of Billboard’s Jazz Albums chart. More eclectic projects followed\, including 2022’s D(IVO)\, the debut album from Carter’s adventurous saxophone quartet with Tim Berne\, Tony Malaby\, and Ivo Perelman. He also joined Perelman for 2022’s Reed Rapture in Brooklyn. The following year\, he showcased his outsized baritone saxophone skills on the solo recording Un (Unaccompanied Baritone Saxophone). \nEarly 2023 brought Carter to the NYC Blue Note as special guest with DJ Logic and with Galactic. His capacious ability to cross boundaries\, mesh genres\, and deliver it all with mindboggling energy\, clarity and that “special something” that brings audiences to their feet clamoring for more.  \n2023 also saw James Carter bring his Quintet to Birdland in the debut presentation of Lookin’ at Lock: The Music of Eddie “Lockjaw” Davis\, featuring Satish Robertson on trumpet\, Gerard Gibbs on piano\, Hilliard Greene on bass\, and Kahlil Kwame Bell on drums. Carter brings his Quintet to the Syracuse Jazz Festival on 29 June 2024 and returns to Birdland 13-17 August 2024.  \n  \n  \n 
URL:https://cliffbells.com/event/james-carter-organ-trio-3/2025-12-20/
ATTACH;FMTTYPE=image/jpeg:https://cliffbells.com/wp-content/uploads/2025/10/IMG_3255-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251221T173000
DTEND;TZID=America/Detroit:20251221T193000
DTSTAMP:20251208T211858Z
CREATED:20251030T142734Z
LAST-MODIFIED:20251208T211858Z
UID:10008486-1766338200-1766345400@cliffbells.com
SUMMARY:the James Carter Organ Trio presents: Yule Log of Soul & Swing
DESCRIPTION:Showtimes are at 5:30p & 7:30p for this performance. Doors open at 4pm for dinner. Seating begins at 5pm for “Dinner & a Show”. The second show starts seating at 7pm.\n\nProgram to include the music of Django Reinhardt\, lots of your favorite standards\, and lots of your favorite Christmas tunesAn effusive\, dynamically gifted jazz saxophonist\, James Carter caused a critical uproar when he appeared on the New York jazz scene\, having moved from his native Detroit in the early ’90s. Carter’s debut recording\, JC on the Set\, issued in Japan when he was only 23 and in the States a year later in 1993\, was universally acclaimed as the finest debut by a saxophonist in decades. He has continued to build upon these early accolades\, exploring the music of Django Reinhardt on 2000’s Chasin’ the Gypsy\, displaying his classical skills on 2011’s Caribbean Rhapsody\, and working with his soulful organ trio on 2019’s Live from Newport Jazz.\n\n  Born in 1969 in Detroit\, Carter began playing at age 11 and studied early on with trumpeter Marcus Belgrave. A prodigy\, he progressed quickly and by 1986 at age 17 joined Wynton Marsalis on tour. Two years later\, he became a member of Lester Bowie’s Brass Fantasy upon relocating to New York. Carter issued no less than six recordings under his own name between 1993 and 2000\, all of them with different focuses\, from a set of standards\, Conversin’ with the Elders in 1995\, to an electric funk record\, Layin’ in the Cut\, to a simultaneously released set in tribute to Django Reinhardt\, Chasin the Gypsy. Three years later\, he honored the legendary Billie Holiday with Gardenias for Lady Day. \n  Moving from Columbia to Warner Bros.\, Carter’s Live at Baker’s Keyboard Lounge followed in spring 2004. Another live session\, Out of Nowhere\, was released in 2005 on the independent label Half Note. There were also sessions and live dates with the Lincoln Center Jazz Orchestra\, Cyrus Chestnut\, Rodney Whitaker\, Frank Lowe\, the late Julius Hemphill\, pop-jazz singer Madeleine Peyroux\, Ronald Shannon Jackson\, Tough Young Tenors\, and the Charles Mingus Big Band. In 2008\, he released Present Tense on Universal Jazz. Carter followed that up a year later with the live album Heaven on Earth\, featuring a jazz supergroup including\, among others\, organist John Medeski and bassist Christian McBride. \n \n   In 2011\, Carter delivered Caribbean Rhapsody\, his collaboration with classical composer Roberto Sierra featuring the piece “Concerto for Saxophone and Orchestra.” Honing his craft to a jaw-dropping technical level\, Carter is the master of a family of saxophones\, flute and clarinet. His is a powerhouse virtuosity likened by composer Roberto Sierra to the great Paganini. It was in fact this astounding instrumental flexibility\, coupled with an eclectic body of recordings that inspired the Spanish maestro to write the celebrated Concerto for Saxophones and Orchestra for the 31-year-old. Written expressly for Carter and mixing Jazz\, Latin and classical elements\, the work showcases the multi-instrumentalist’s outstanding technical virtuosity whilst allowing him “the freedom to improvise.” \nThe four-movement piece sees Carter take center stage throughout\, executing swift instrument transitions between Tenor and Soprano and employing a full gamut of musical expression\, from furiously-fast Coltrane like tempo to a quiet ballad.  \nA concert album\, Live from Newport Jazz\, recorded with his organ trio at the long-running festival\, arrived in 2019\, reaching the top 10 of Billboard’s Jazz Albums chart. More eclectic projects followed\, including 2022’s D(IVO)\, the debut album from Carter’s adventurous saxophone quartet with Tim Berne\, Tony Malaby\, and Ivo Perelman. He also joined Perelman for 2022’s Reed Rapture in Brooklyn. The following year\, he showcased his outsized baritone saxophone skills on the solo recording Un (Unaccompanied Baritone Saxophone). \nEarly 2023 brought Carter to the NYC Blue Note as special guest with DJ Logic and with Galactic. His capacious ability to cross boundaries\, mesh genres\, and deliver it all with mindboggling energy\, clarity and that “special something” that brings audiences to their feet clamoring for more.  \n2023 also saw James Carter bring his Quintet to Birdland in the debut presentation of Lookin’ at Lock: The Music of Eddie “Lockjaw” Davis\, featuring Satish Robertson on trumpet\, Gerard Gibbs on piano\, Hilliard Greene on bass\, and Kahlil Kwame Bell on drums. Carter brings his Quintet to the Syracuse Jazz Festival on 29 June 2024 and returns to Birdland 13-17 August 2024. \n  \n\n 
URL:https://cliffbells.com/event/james-carter-organ-trio/
CATEGORIES:Featured
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DTSTART;TZID=America/Detroit:20251221T193000
DTEND;TZID=America/Detroit:20251221T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009761-1766345400-1766352600@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-21/
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20251222T193000
DTEND;TZID=America/Detroit:20251222T213000
DTSTAMP:20261005T143521Z
CREATED:20250708T210750Z
LAST-MODIFIED:20261005T143521Z
UID:10009762-1766431800-1766439000@cliffbells.com
SUMMARY:ELEW
DESCRIPTION:There will be two separate seatings at 7:30pm & 9:30pm for this performance. Doors open at 5pm for dinner. Seating begins at 6pm for “Dinner & a Show”. The second show starts seating at 9pm.\nWith Detroit’s own Louis Jones on the drums and Noah Jackson on bass. \nA native of Camden\, New Jersey\, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student\, upon graduation\, he toured the world\, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra\, Elvin Jones\, Cassandra Wilson\, Roy Hargrove\, and John Hendricks among others. In 1999\, Eric won the Thelonious Monk International Piano Competition\, at the time\, the most coveted prize in all of Jazz. A decade into his career\, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods\, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning\, critically acclaimed albums\, ELEW has re-imagined songs by The Killers\, Nirvana\, Coldplay and Michael Jackson to name a few. Throughout his career he has built an elite fanbase of some of the most distinguished leaders and celebrities such as Leonardo DiCaprio\, Gerard Butler\, Barack and Michele Obama\, Prince Albert II\, Will Smith\, Eli Roth\, Al Pacino and the list goes on… Inspired by the European masters of Baroque Counterpoint\, ELEW has innovated the technique of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. \nHe has named this technique Counterbop. His album Cubism – ELEW plays Rosenwinkel\, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance\, appearing in and scoring for film\, ELEW is a prominent international DJ. He has has created disco infernos for multiple events such as The World Economic Forum\, TED\, Art Basel\, A-list Oscar parties\, the Monte-Carlo Gala\, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases\, ELEW places the turntables within the piano\, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has lead to him creating yet another brilliant innovation he calls Piano Turntablism . He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music\nfestival. ELEW is a genuine master of the piano and artistic genius.
URL:https://cliffbells.com/event/elew/2025-12-22/
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