(Doors open at 5pm for dinner/Seating begins at 6:15p for the first show & 9:00p for the second show)

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This recording by the Paxton/Spangler septet lives up to its name, Ugqozi, which translates from isiZulu as “inspiration.” This inspiration is layered and can be felt and understood on various levels. On the outside there is the special attention to South African jazz, a very longstanding interest for both T-Bone Paxton and RJ Spangler. I remember myself playing with them as a young man in the 70s when they were revealing their inspiration gathered by progressive big band music by the likes of Chris McGregor’s Brotherhood of Breath or Sun Ra’s Intergalactic Arkestra in groups such as Kuumba (Kiswahili for “Creativity”— again the idea of ugqozi) and later, the Sun Messengers. There is also the sense of inspiration revealed in the synergy between the septet and the various guest artists (Including Kirk Krahnke whose collaboration with the leaders also harkens back in the day to the 70s). The simpatico musicians blended seamlessly to assist in a band sound, a unique flavor that all great bands must achieve, through instrumental blend, arrangements, aesthetic understanding and much more.

The Paxton/Spangler Septet express a deep cultural understanding of the socio-political realities that were at play in South Africa. They have taken seminal works by one of South Africa’s most revered jazz icons and entered a human story replete with pain, suffering, joy and hope. -Butchie Seroto, Music in Africa (South Africa)

This feeling of freedom is captured perfectly in The Paxton/Spangler Septet’s interpretations. Not to keep this feeling of joy would be a crime to South African jazz, but the Detroit group nail it. 

-Robbie McGrail, Jazz Revelations (UK)

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(Doors open at 5pm for dinner/Seating begins at 6:15p for the first show & 9:00p for the second show)

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If you have not yet experienced Planet D Nonet, your groove tank is missing out on some serious fuel.

They’re Detroit’s own down and dirty little big band, known nationally for curating some of the best in early jazz traditions and Black-American musical influences from the 20s, 30s and 40s. More “hot” than “sweet,” according to PD9 cofounder and bandleader RJ Spangler, who started the nine piece ensemble with longtime musical partner James O’Donnell in 2007.

PD9 is a pared down version of the traditional big bands of the 1930s, and they frequently feature guest vocalists, adding to the versatility of the band’s show. The number of musicians in the lineup is reminiscent of the earliest big bands, when swing was still evolving into the sound that defined jazz music’s most popular era.

“The band retains the agility of a small group,” says Spangler, “but with the harmonic palette of a larger one.”

Brian McCollum of the Detroit Free Press calls Planet D Nonet “one of Detroit’s great party bands,” with a “sweeping field of vision that ranges from Swing Era classics to connoisseur works by Duke Ellington, mind-expanding pieces by the visionary Sun Ra and some down-and-dirty joint R&B.”

The group has been nominated and awarded multiple honors over the past decade, including seven Detroit Music Awards. Most recently, they were named 2019 DMA for Outstanding Traditional Jazz Artist/Group, and not surprisingly that was not the first time they received that award.

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They’re Detroit’s own down and dirty little big band, known nationally for curating some of the best in early jazz traditions and Black-American musical influences from the 20s, 30s and 40s. More “hot” than “sweet,” according to PD9 cofounder and bandleader RJ Spangler, who started the nine piece ensemble with longtime musical partner James O’Donnell in 2007.
PD9 is a pared down version of the traditional big bands of the 1930s, and they frequently feature guest vocalists, adding to the versatility of the band’s show. The number of musicians in the lineup is reminiscent of the earliest big bands, when swing was still evolving into the sound that defined jazz music’s most popular era.
“The band retains the agility of a small group,” says Spangler, “but with the harmonic palette of a larger one.”

Brian McCollum of the Detroit Free Press calls Planet D Nonet “one of Detroit’s great party bands,” with a “sweeping field of vision that ranges from Swing Era classics to connoisseur works by Duke Ellington, mind-expanding pieces by the visionary Sun Ra and some down-and-dirty joint R&B.”
The group has been nominated and awarded multiple honors over the past decade, including several Detroit Music Awards. Most recently, they were named 2016 DMA for Outstanding Traditional Jazz Artist/Group, and not surprisingly that was not the first time they received that award.

PD9’s latest release, A Salute to Strayhorn, features musical selections associated with the composer, lyricist, arranger and pianist Billy Strayhorn, best known for his celebrated musical collaborations with Duke Ellington.

The cuts are a mix of studio and live recordings, including a performance of “Such Sweet Thunder” captured at Detroit’s NPR station WDET. Vocalist Camille Price brings sultry and seductive stylings to a few cuts including “Imagine my Frustration,” and “I’ve Got it Bad, and That Ain’t Good.”  But as in PD9’s club performances, it’s when trumpeter James O’Donnell comes out from behind his instrument that listeners sway a little more languidly as he glides into the crowd favorite “Satin Doll.”

With all the hours that PD9 have put in pounding the musical pavement, it’s hard to imagine that any avowed Ellington/Strayhorn fan hasn’t yet experienced them, whether live or recorded. Luckily, the fall/2016 release provides the perfect opportunity to discover this group known for putting body, soul and spirit into every bit of music they touch.

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wsg vocalist Camille Price!

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