Formed in early 2013, Soul Cycle is comprised of studio musicians from various groups rooted in New England & the Mid-West. The group has roots in funk, jazz & R&B but Soul Cycle excels in the true emulation of gritty Hammond oldies.

http://www.soulcyclemusic.net/

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A labor of love, Duncan began the process in 2004, and has been fortunate to document this music with musicians who collectively represent important relationships in his life – both as individuals and as musicians. “Room with a View” is an audio portrait of how he sees and experienced the world. Each song has a point of origin, with many compositions based upon standard forms or recordings that have inspire him as a student of Music and The History of Jazz Organ.

– Diego Rivera : Tenor Saxophone
– Matt Landon: Guitar
– Keith Hall: Drums

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A local veteran guitarist who has performed at many venues across the metro –Detroit area, specializing in jazz, swing, latin, funk and blues. From Big bands (Rhythm Society Orchestra) to small groups (organ trios, duo settings and quartets, often with many of Detroit’s finest musicians). Andy returns to Cliff Bells, and will be once again in a organ trio format, exploring the music of the Soul Jazz idiom as exemplified by greats like Wes Montgomery, Kenny Burrell and others.

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Her band will feature the fine organist Jim Afredson!

One of the pleasures of attending the Chicago Jazz Festival over Labor Day weekend each year is being able to hear the bevy of local players who make up the windy city jazz scene. Last year’s treat was Juli Wood, a gutsy tenor and baritone saxophonist who also sings with the earthy gusto of an R&B diva filtered through a hard bop sensibility.
Bill Milkowski – JAZZTIMES

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As American cultural critic Elvis Mitchell wrote after witnessing a show at Baker’s Keyboard Lounge, “The group’s toned, muscular playing keeps the crowd rapt, a condition noticeable by the fact that almost no one is talking.”
organissimo formed in November of 2000 with the goal of bringing jazz back to the people. organissimo’s sound is instantly identifiable yet constantly evolving, infusing elements of funk, gospel, blues, progressive rock, and Latin rhythms into a solid foundation of jazz. Shifting meters, deep grooves, melodic finesse and tight ensemble interplay are hallmarks of the organissimo sound.

organissimo’s music has received numerous awards. The latest CD, Dedicated, released in January of 2013, hit #5 on the JazzWeek charts and stayed in the Top 10 for 8 weeks. It hit #1 on the CMJ jazz charts and was named one of the Top 10 CDs of 2013. It received airplay on over 200 stations including Comcast’s MusicChoice and XM/Sirius Radio.

organissimo’s album, Groovadelphia, topped the CMJ Jazz Charts for three weeks at #1 and stayed in the JazzWeek Top 50 for 14 weeks, peaking at #22. It won two WYCE Jammie Awards for Best Jazz Album and Best Song and was also named one of the Best Releases of 2008 by WVPE, KJAZZ, CKCU-FM, and Jim Wilke’s Jazz After Hours program, syndicated on over 60 NPR stations nationwide. It is also nominated for a Detroit Music Award.

organissimo’s sophomore album, “This Is The Place”, hit #19 on the JazzWeek charts and a solid #4 on the CMJ charts. It also won two WYCE 2006 Jammie Awards for Best Jazz Album and Album of the Year , and was nominated for 2005 Detroit Music Award. Like its predecessor, it was named one of the Best Releases of 2005 by Jim Wilke ‘s Jazz After Hours program in Seattle, WHRV in Virginia Beach, WBEZ in Chicago, WVIA-FM in Pittston PA, WBLV Blue Lake Public Radio, WLNZ in Lansing, WEMU in Ann Arbor/Ypsilanti, KXJS in Sacramento, and WYCE in Grand Rapids, Jazz 90.1 in Rochester NY, Real Detroit Weekly Magazine , the Detroit MetroTimes and the Lansing City Pulse. NPR also featured the CD as a part of its Open Mic series.

The group also won a WYCE Jammy award for Best Jazz Album for their debut CD “Waiting For The Boogaloo Sisters…” (which features prominent New York saxophonist Ron Blake ). The CD was also named one of the Best Releases of 2003 by Jim Wilke’s Jazz After Hours program, syndicated on over 60 NPR stations nationwide.

http://www.organissimo.org/about.htm

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Before Detroit, he lived in Chicago, where he built a solid blues resume, touring and recording as a pianist with Jimmy Witherspoon, Koko Taylor, Alberta Adams, Fenton Robinson, and many others. He also played jazz piano on two major Impulse!/MCA recordings for Chicago guitarist Henry Johnson, who called Bill’s piano playing “brilliant”, and adds that Bill “…brings fire, excitement and a feeling of the blues to any recording that he appears on.”

It is as an organist though that Bill became better known, recording as a leader on several outstanding jazz organ dates in the mid to late nineties for the Muse/Westside and Savant labels. Bill’s organ sound is at once gritty and sophisticated and is flavored with Bill’s idiosyncratic style and unique vernacular. Now, after having spent a number of years working in Japan and touring all over the world for the U.S. State Department as a Jazz Ambassador, Bill is back stateside where he can be heard on organ and piano engagements at various venues in the Washington, D.C. area.

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Bill Heid came of age in the crucible that was Pittsburgh in its jazz heyday, hanging out at legendary Hill District clubs like the Hurricane Bar and the Crawford Grill. All the jazz greats regularly played in town back in the sixties and young Bill took every opportunity to sit in and learn from these masters. In addition to the many musicians passing through town during that period, Pittsburgh had produced some of the greatest names in jazz “Ahmad Jamal, Art Blakey, Errol Garner, George Benson, Eddie Jefferson, Mary Lou Williams, Stanley Turrentine, to name a few, all called Pittsburgh their hometown.

Bill took these lessons and experiences and headed West to Detroit and Chicago, where he built a solid blues resume, touring and recording as a pianist with Jimmy Witherspoon, Koko Taylor, Alberta Adams, Fenton Robinson, and many others. He also played jazz piano on two major Impulse!/MCA recordings for Chicago guitarist Henry Johnson, who called Bill’s piano playing “brilliant”, and adds that Bill “…brings fire, excitement and a feeling of the blues to any recording that he appears on.”

It is as an organist though that Bill became better known, recording as a leader on several outstanding jazz organ dates in the mid to late nineties for the Muse/Westside and Savant labels. Bill’s organ sound is at once gritty and sophisticated and is flavored with Bill’s idiosyncratic style and unique vernacular. Now, after having spent a number of years working in Japan and touring all over the world for the U.S. State Department as a Jazz Ambassador, Bill is back stateside where he can be heard on organ and piano engagements at various venues in the Washington, D.C. area.

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Bill Heid came of age in the crucible that was Pittsburgh in its jazz heyday, hanging out at legendary Hill District clubs like the Hurricane Bar and the Crawford Grill. All the jazz greats regularly played in town back in the sixties and young Bill took every opportunity to sit in and learn from these masters. In addition to the many musicians passing through town during that period, Pittsburgh had produced some of the greatest names in jazz “Ahmad Jamal, Art Blakey, Errol Garner, George Benson, Eddie Jefferson, Mary Lou Williams, Stanley Turrentine, to name a few, all called Pittsburgh their hometown.

Bill took these lessons and experiences and headed West to Detroit and Chicago, where he built a solid blues resume, touring and recording as a pianist with Jimmy Witherspoon, Koko Taylor, Alberta Adams, Fenton Robinson, and many others. He also played jazz piano on two major Impulse!/MCA recordings for Chicago guitarist Henry Johnson, who called Bill’s piano playing “brilliant”, and adds that Bill “…brings fire, excitement and a feeling of the blues to any recording that he appears on.”
It is as an organist though that Bill became better known, recording as a leader on several outstanding jazz organ dates in the mid to late nineties for the Muse/Westside and Savant labels. Bill’s organ sound is at once gritty and sophisticated and is flavored with Bill’s idiosyncratic style and unique vernacular. Now, after having spent a number of years working in Japan and touring all over the world for the U.S. State Department as a Jazz Ambassador, Bill is back stateside where he can be heard on organ and piano engagements at various venues in the Washington, D.C. area.

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Justin Dillard – Hammond Organ(Endorsed Artist)
Samuel Jewell – Drums
Vincent Roofe – Guitar

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